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Say No to GMOs!
Say No to GMOs! This article was written years ago and it will be placed on this site at a later time. The comment section of the E4N Blogs is a work in progress. Say No!
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Carver: The Revolutionary ScientistBy: Jon AdkinsGeorge Washington Carver was the first modern scientist to create an abundant number of new inventions in the United States. All who are familiar with Carver's inventions know about the 300 products that he created from the peanut. However, most of you do not know that Carver was the first to connect or link us as African-Americans or Foundational Black Americans (FBA) to our Black Ancient Egyptians ancestors. "The Stolen Legacy" was written and published by George G.M. James in 1954. The Stolen Legacy is considered the greatest and first significant book written by an African-American author to link African-Americans or the African diaspora to the Black Ancient Egyptians. Carver had re-created the Egyptian Blue paint in 1930 or earlier. The Atlanta Constitution wrote an article talking about Carver re-creating the Egyptian Blue paint which was dated in December 1930. Which means, its more logical that he re-created the sacred Egyptian Blue paint in the mid-1920's. Keep in mind, Howard Carter and his crew of Egyptologists founded King Tut tomb in 1925. Carver could have re-created the scared Egyptian Blue color even before Howard Carter's crew unearthing of King Tut's tomb. Also in that same Atlanta Constitution article it mentioned Carver was currently working on re-creating the royal Egyptian purple color. What does this all mean? Why did Carver go down that road of being infatuated with the Ancient Egyptians creations? I can answer that by saying his connection with the Ancient Egyptians was a natural connection. He proved from his work that not only he but we as African-Americans or FBA are the direct descendants of the Black Ancient Egyptians. The racist white historical writers and lately the racist Arabs who dispute this claim that "the ancient Egyptians were Black people", possess the same DNA as the racist Arabs and whites who brutally enslaved our people for years through physical slavery. Again, Carver re-created the Egyptian Blue paint in 1930 or earlier which has not been re-created by anyone else in history, although many have tried though the years. Again, Carver created the same sacred blue paint color that the Ancient Egyptians used in their sacred tombs and temples. The sacred Egyptian blue color paint that if you shine red light on it , will emit infrared light, is why the ancient Egyptians created and used the scared Egyptian blue color in their sacred temples and tombs paintings. The sacred Egyptian Blue color paint has a special dynamic and spiritual characteristics to it.First let me say, I am proud to be one of the ones to unveil this suppressed information about Carver re-creating the Egyptian Blue color. Me, Yasir Khalid (my roommate at Tuskegee Institute back in the day) and my blood brother Terry Adkins, all played a significant role in uncovering this valuable information of Carver re-creating the Egyptian Blue color. I did not want to leave out, Lesley Gist, who was brave enough to highlight Elements 4 Nature and the Carver story which included re-creating the Egyptian Blue paint on her internet podcast program called, The Gist of Freedom. Seeing the Lesley Gist's internet podcast hosted by Jamaal Brown on Carver inspired Terry Adkins to do a show about Carver and Egyptian Blue color. Terry Adkins called is show "Nenuphar", which means, Egyptian Lotus. We all can pat ourselves on the back for re-exposing this valuable information that was suppressed by the powers at be, particularly at Iowa State. One can ask the question of "how did this information get to Iowa State"? The story goes like this, a professor from Iowa State visited Carver at Tuskegee Institute. Remember, Carver attended college at Iowa State and received a masters degree there in 1896. So he still had people who he kept in contact with at Iowa State. Carver gave the visiting professor a sample of the Egyptian Blue paint which he took back to Iowa State. In 2014, Terry Adkins was then a professional artist and a teacher at University of Pennsylvania. Terry formally requested information on the Carver Egyptian Blue paint from Iowa State to help him in his Carver Egyptian Blue art show that was called "Nenuphar". Not only did Iowa State verify the existence of the Carver Egyptian Blue paint but they sent Terry Adkins a sample of Carver's Egyptian Blue paint. Terry called me when he received the sample from Iowa State. He asked me, did I want a small sample of the sample that he received from Iowa State? I said absolutely! He also said Carver called it specifically Egyptian Blue Oxidation #9. If your familiar with Chemistry, you would know that once you list an Oxidation number, you significantly increase the chances on how to reproduce it. The Question is why was the Egyptian Blue information not visible at Tuskegee and not publicly known to the world? Carver died on Tuskegee's campus in 1943. Ironically, Carver was on Tuskegee's campus for about 47 years before he died. 47 years also equates to the amount of years needed to graduate with "elevated consciousness" from the ancient Egyptian Mystery System. The Egyptian Mystery System was and still is a structured educational system that was created by the ancient Black Egyptians. However, some say it's still in existence operating underground and maintained by a Black conscious group based in the United States. In 1947, however, there was a mysterious fire at the Carver Museum. To this day, no one knows how the fire started. In the basement of the Carver Museum is where Carver kept most of his research data. Reports say that most of his research data was saved in the fire. Ironically, the U.S. Government stepped in and offered to pay and re-build the Carver Museum. The deal was contingent on the U.S Government owning and taking full control of the Carver Museum building and the items contained in that building. Unfortunately Tuskegee administration officials agreed to have the U.S. Government take control and have ownership of the Carver Museum and all of Carver's research data that was not destroyed in the Carver Museum. End of Part 1 George Washington Carver Carver: The Revolutionary Scientist
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